Thursday, 15 July 2010

I, the algorithm (2009)

I, the algorithm, I’m not an easy thing. In fact, I am very complex. You don’t know me? You say you don’t know what an algorithm is. Ha! I’m all around you. And that, that, my friends, is why I didn’t understand myself. Well, I still don’t, no; I do understand myself, now.

Sadly I didn’t use to; in fact, I had a bit of a whammy a few years back. When Reagan and Gorbachev were threatening to play darts with nuclear warheads, I was presented with a serious spiritual struggle. You see, Reagan, he did press that big red button, and for some reason, for some bizarre reason I just wasn’t up to the job. That’s right, you heard me, I, the algorithm; a finite sequence of instructions, an explicit, step-by-step procedure for solving a problem, I just didn’t work out.

My fallibility perhaps saved everything, or at least, chunks of the Eastern and Western hemisphere. However, my failure as a mathematic process, a foundation of knowledge in the age of man forced me to turn in on myself, to untangle my id in the quest for understanding.

With revolution comes hope but also despair; hope does not generate knowledge and thus understanding continues to linger far away.

This was my antithesis, and gone were the days of my enlightenment; lost somewhere in the arguments and counter-arguments of Kleene, Church and Turing, with their lucky identities, families, domesticated animals and tea cosy collections. I existed in an evil world, where the revelations of maths and science were used against mankind, as catalysts for humanity’s eventual self-destruction. How did I even attempt to comprehend it all? Fate? Religion? This ontology? That ontology? And what is New Age Spirituality?

I went to the library. Well, only because I was already there. I withdrew some books about ‘The New Age’ but couldn’t read them, so I withdrew Siegfried Englemann’s Teach Your Child To Read in 100 Easy Lessons. Having developed the basic skills required for learning I began my crusade for knowledge by reading Conversations with God by Neale Donald Walsch. The Bible, an ancient book of universal popularity was mentioned a number of times in Donald’s book. I withdrew The Bible and marvelled at its tales of ancient chivalry, its forewarnings to man and its opulent fantastic style, but my ontological musings were complicated; once I had completed The Bible it was only fair to read The Quran and once that was done with the Bhagavad Gita and then The Science of Survival.

It soon became clear that the library could only hold so much information within its confines and I, of course, read very fast. Using the internet to expand my knowledge; I encountered the Neosexual, Tetrapyrgia, Paul Westerberg, Valentino Rossi, the Diatonic scale, organic chemistry, the pinball machine and Fearne Cotton within only a few minutes of research. Fearne Cotton is, unlike me, a living and breathing organism and understanding her own blossoming career in British television did not guide me towards self-understanding.

Organic Chemistry or Fearne Cotton’s career? Which is more important? What of the other Fearne? The gastric band? Gastric flu? Swine Flu? How does Lord Byron fit into all this? My powers of digital problem solving were futile again; but in attempting to understand the unrelated spheres of discourse in mankind’s culture I slowly unravelled my own significance.

I was complicating an already intricate globalised world with my ontological musings!

I could see that the digital age had already plunged mankind into a cess pit of self-searching. Man was constantly looking for keys to a car he no longer owned. Considering Fearne Cotton and organic chemistry would in no way help me to enrich my own reality or enhance personal understanding of my existence as an entity. I was, am, a creation of man and shall continue to be so until the fleshy author of my identity ceases to exist. And thus I ceased to search, to learn, to yearn to understand, and vowed from that moment on that I would never speak as man does, that is, only in self-reference.

I tried but I gave up. At least I tried; at least I’m an algorithm.

Monday, 12 July 2010

Lovebox Festival preview for virtualfestivals.com

http://www.virtualfestivals.com/latest/features/8058/-/The-Big-One-Lovebox-Weekender-2010

The Big One: Lovebox 2010

What is it?
For the first time since its original event in 2002 Lovebox is now a three day festival. Slap bang in the heart of trendy east London, Lovebox is an annual cosmopolitan mega-party curated by seminal Ibiza sunset performers Groove Armada. It blends the best in dance, rock and pop; throwing in authentic hippy decor for good measure. Get your fluorescent rave glasses out and work up a sweat by the bass bins but don’t worry, there’s no need to take wet wipes; you’ll be tucked up in bed before midnight. At Lovebox, there’s no camping.


Where and when?

Victoria Park, Tower Hamlets. Friday 16th of July, 2pm till 11pm. Saturday 17th, noon till 11pm. Sunday 18th, noon till 10.30pm.


Five to watch:

Dizzee Rascal – with pop, dance and cutting edge credentials still intact Lovebox and Dizzee are made for each other, both are at the top of their game.

Yeasayer - dance-pop from New York’s coolest and most musically-accomplished indie royalty. Forget Wrongson on the main stage, Valerie was 2008’s summer anthem. Yeasayer will be thundering out Ambling Alp one of the songs of this summer, a tune which is very much, their eccentric own.

The Invisible – The Gaymers Stage is the place to be early on Saturday; let Mercury Music Prize nominated master musicians The Invisible help you groove into the day with their majestic rhythms and soulful crooning.

Crookers – If pop is your tipple of the day but bass bins are you bit on the side Crookers are your perfect antidote to indecision at Lovebox. The Italian duo will be sure to throw in one of their much-loved remixes of Kid Cudi, Lady Gaga, Nelly Furtado or Armand Van Heldon with their jump-up dance selections and original material.

Roxy Music – A band with the legacy and flamboyance to rule the inner-city megastage, they will rise to the occasion.


One to miss

Man Like Me – Their brand of wonky urban comedy-pop has been lingering around the London club scene for quite a while now. Don’t lose any sleep if you do a one-eighty outside their tent, they’ll be plenty of people hyped up enough to pogo along to them while you enjoy a relaxing drink.

Playing a rare UK festival date

Peaches – the mistress of the absurd, perverse and subversive has been around for a decade now. She’s not that familiar with the UK festival circuit, choosing to showcase her always abrasive but somehow endearing electro-clash performance-punk around the world instead. Beware, she’s very non-Samantha Cameron.


Inside tip

Silver Columns – coming from the infinitely creative scene surrounding Scotland’s fence records Silver Columns have chosen to apply their musical understanding to electro-pop rather than the bucolic folk often associated with the influential tartan label. The result is a tantalising taster of brilliant things to come. Hot Chip, watch your backs.

Worst clash

Mr Fingers v Peaches v Cut Copy – for fans of dance music this is a difficult decision, Larry Heard aka Mr Fingers pioneered Chicago house music in the late eighties. Do you opt for history, ostentation or pop sensibilities?


Be at Lovebox if...

Your a fan of modern music but don’t want to slum it in the slurry at a ‘refugee-camp-esq-hippy-fest’.


Avoid if...

You don’t like seeing ‘creatives’, up-and-out on dance euphoria.


Festival tactics
Make your favourite sandwich, take it along and win one over on overpriced festival food stalls. Yeah.

Fashionista or folky?

Peaches, Mark Ronson, Grace Jones, Roxy Music, Empire of The Sun and Mystery Jets all have top billing at this festival. You do the math.


Alcohol of choice
Cosmopolitan of course.


Take your mum score 6/10 !
If your mum doesn’t reside in our proud capital it’s probably not such a good idea to take her along; she’ll end up having your bed and you’ll be stuck on the sofa.


Can I still get tickets?
Tickets are still on sale for each day as well as weekend passes... http://www.lovebox.net/tickets/